Hopeless Data, ‘Hopelessly Devoted To You’

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As they have fun their Thirtieth anniversary, Hopeless Data have invited artists from their present roster, together with PVRIS, The Marvel Years and Stand Atlantic, to cowl traditional songs from the label’s prolific again catalogue. We communicate with a few of the bands concerned within the venture in addition to label founder Louis Posen in our newest digital cowl function.

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Togetherness is a big part of what makes Hopeless Data tick in 2024. During the last 30 years, they’ve carved out their very own area of interest inside rock, punk and steel communities. Their again catalogue speaks for itself, boasting everybody from scene legends to underground gems, boundary-pushers to sound-definers. Other than simply being a spot the place music followers can share the music they love with different music followers, Hopeless has cultivated a household environment between everybody related to them. We’re all on this collectively, and it doesn’t get higher than that.

“We by no means subscribed to the concept that we have been answerable for who was in or out of the scene,” founder Louis Posen explains. “We all the time thought that we have been the weirdos and geeks in society, so we needs to be those who’re inclusive initially. The entire level was that different individuals weren’t letting us into their neighborhood, so we constructed our personal. Hopeless was began off the again of that, and it continues to thrive due to that.”

It’s to this three-decades-long neighborhood that the label is trying to have fun this monumental anniversary. Making an attempt to sum up so many memorable moments and unbelievable information is an enormous enterprise for anybody, in order that’s the place the thought for this particular compilation got here from. A means of letting the bands that signify Hopeless out on the earth proper now pay tribute to the bands which have come earlier than them, from each period and past, it’s a tremendous snapshot of a label with no restrict.

“We had no thought how this was going to come back collectively, and it was a loopy thought to even assume that this might work. However because it began to come back collectively and the tracks began to come back by means of, it made all of it worthwhile and made sense. A few of these artists concerned could not have even been born or had been little children when a few of these songs initially got here out. But now they’re right here enjoying them in their very own means. It’s cool to see the spectrum of the final 30 years come collectively creatively by means of such creative expression.”

So, as Hopeless prepares to unfold their celebrations observe by observe over the subsequent few months, we have a look at what went into placing it along with a few of the artists concerned…


The great thing about having a label with no particular style on the core of what it stands for is that the huge breadth of sounds at Hopeless’ disposal feels infinite. From releasing the ’11oz.’ EP for Guttermouth again in 1993 to backing information from the likes of Yellowcard, The Used, and Enter Shikari, rock, pop, emo, and different tradition are properly represented inside their ranks.

So when it got here to their present roster selecting what model they wished to signify, all bets have been off. Like having the keys to the candy store, it has allowed many bands to stay out their infinite desires. Take Level North, who ship Avenged Sevenfold‘s metalcore traditional ‘Unholy Confessions’ like they’ve been dealing out breakdowns for years, with vocalist Jon Lundin delivering some correct throat-shredders. Then you might have Scene Queen displaying how, on prime of mastering bimbocore, she additionally has an enormous deal with on pop-punk, making We Are The In Crowd‘s ‘The Finest Factor (That By no means Occurred)’ all of the extra cutthroat than it already was. There’s additionally Pinkshift delivering the floaty pop of Illuminati Hotties’ ‘Knead’ like they’re Nirvana at their most thrilling, and TX2 channelling probably the most caustic of emo on their tackle The Used’s ‘Cry’. Oh, and never forgetting Fame On Fireplace placing a savage spin on All Time Low‘s ‘Expensive Maria, Rely Me In’, throwing ferocious riffs onto one of the celebrated and awarded tracks within the Hopeless discography.

Nonetheless, one of many largest transformations comes from The Marvel Years, who journey again to 2001 and tackle Thrice‘s iconic ripper ‘Deadbolt’. Very a lot exterior of the band’s typical wheelhouse, regardless of how far they’ve travelled throughout their time with the label, it’s a calloused rendition of a music that rips and tears at you with glee. You will have heard the band just lately supplied a music known as ‘12 months Of The Vulture’ for WWE NXT and assume that the brash nature of it impressed how this cowl sounds. But, based on vocalist Dan Campbell, it was solely the opposite means round.

“We have been going by means of {the catalogue}, and we have been looking for one thing that we felt would outline an period for Hopeless that nobody else was going to assume to do,” he remembers. “We all the time assume, ‘What’s going to no one else be doing? Can we attempt it due to that? Can we be completely different?’ We claimed ‘Deadbolt’ first after which thought-about how we might pull it off.”

“After monitoring it, I realised that that is how I’ve to do the vocals for ‘12 months Of The Vulture’ as properly. I had by no means made my voice do issues like that in my life earlier than. Once I needed to relearn methods to sing ‘12 months Of The Vulture’ for after we can be enjoying it stay, I had to return to this ‘Deadbolt’ cowl to determine how I acquired there within the first place.”

This type of impassioned exploration serves as a cornerstone for what Hopeless represents. And even when fascinated with the way it felt to signal for the label in 2011, Dan continues to be so proud that they noticed one thing of their little pop-punk band from Philadelphia.

“I used to be sitting upstairs at a pub in Leeds, but it surely may have been Manchester, after we introduced it. It was the one place I may get wifi trigger it was so way back that my cell couldn’t get a sign within the UK. However studying each remark, I used to be simply considering, ‘Is everyone going to name us sellouts?’ However the response was correctly, ‘Fuck yeah, Hopeless signed a punk band’. That felt superior.”


When household is so important to your neighborhood’s infrastructure, collaboration will come naturally. Bringing collectively so many unbelievable skills to exist beneath one umbrella, the present Hopeless roster and, after all, the alumni are all linked terribly. So when the possibility to work collectively comes up, it is going to be grasped with each arms, and that’s exactly what occurred with this Thirtieth-anniversary celebration.

The compilation options two label link-ups. The primary comes from Hey Violet, who has joined forces with Jayden Seeley, beforehand of the great With Confidence. Their tackle Yellowcard’s 2011 ballad, ‘Cling You Up’, appears like a sundown on Venice Seashore, remodeling it right into a sugary, candy tearjerker, displaying off how far pop music has travelled over the past decade.

The opposite comes courtesy of Stand Atlantic and PVRIS, and it isn’t the primary time the pair have teamed up. Only in the near past, STAT launched ‘GIRL$’, taken from their upcoming document ‘WAS HERE’, with vocalists Bonnie Fraser and Lyndsey Gunnulfsen buying and selling fizzy empowering bars in excellent concord. From that session, a friendship has blossomed, which suggests any alternative to do one thing collectively is taken with aplomb. And that’s the place their cowl of DE’WAYNE‘s rip-roaring banger, ‘GOOD MOOD’, is available in. Utilising the experimental paths that Stand Atlantic and PVRIS have taken lately, the end result trades out the rock and roll ferocity for overblown manufacturing and gritty attitudes. It’s crimson sizzling, righteous and inflexible in all the proper methods, and for Bonnie, it embodies every thing pure about her friendship with Lyndsey.

“Lyndsey is simply actually candy. She’s the very best individual ever, and we acquired alongside so properly from the primary second we met. We’re on the identical wavelength by way of music and career-wise. I had wished to work together with her for ages, after which, after we turned buddies, it was out of the blue a lot simpler to do one thing. So after we have been fishing by means of the Hopeless roster, DE’WAYNE popped up. We beloved the music and felt we may do one thing cool with it. It’s simply acquired that edge to it that we each actually like, and Lyndsey smashes manufacturing, so she made it sound wonderful.”

With out Hopeless constructing bridges with their roster, the pair could have by no means thought-about partnering up in the best way they’ve. But for Bonnie, the label has been part of her life for for much longer than simply when Stand Atlantic have been signed. You possibly can say it was written within the stars that they might find yourself collectively.

“I all the time wished to be signed to Hopeless; it’s the label the place all my favorite bands have been. And once I was a child, I felt like I manifested it. As a result of in the long run, we didn’t even attempt to get signed by them as a result of they got here to us after the ‘Sidewinder’ EP. They’ve all the time allow us to do what we need to do. They’ve all the time revered that and all the time had our backs, and I couldn’t have requested for a greater match. To see us on this journey that we’re now on, I couldn’t have requested for extra from them.”


When overlaying another person’s observe, you could attempt to step into the emotional state of the unique lyricist. And relating to overlaying emo songs, that often means embodying some fairly deep emotions. All through their time within the highlight, Hopeless have put out songs that cowl the complete spectrum of the human situation. From raging fuck-you-very-much center fingers to heart-wrenching break-up diary entries, there’s a little bit of every thing for no matter you’re going by means of. The identical could be stated for his or her Thirtieth anniversary compilation, which finds their artists discovering the very best methods of conveying poetry from throughout the many years.

On the weak aspect, you might have Candy Tablet, who put their solely jangly gorgeousness into the stark admissions of wrestle on the centre of The Marvel Years’ iconic ‘There There’, making it all of the extra melancholy. The identical could be stated for Illuminati Hotties, who take Neck Deep‘s gold-plated ‘December’ and push it by means of a low-key bed room mesh. The result’s much more devastating, tender, and damaged.

Then, relating to self-deprecation, there’s Honest Engineer, who pays tribute to one of many label’s originals, 88 Fingers Louie, expressing the frustrations of ‘I Hate Myself’ with a smile plastered throughout their chops. There’s additionally Bayside, who dive the deepest into the archives with their breezy tackle The Weakerthans‘ ‘Apart’, including sea air to this heavy account of life making an attempt to get the higher of you.

There’s additionally Noahfinnce, who provides loads of British appeal to Waterparks‘ ‘I Miss Having Intercourse, However At Least I Don’t Wanna Die Anymore’. For Noah, it was an opportunity to sing lyrics that slot in together with his chosen model and means of expressing himself, in addition to putting acclaim on considered one of their favorite bands.

“I’ve by no means actually been able to going full-on emo as a result of I’m simply too sarcastic myself. I’ll joke concerning the worst factor that has ever occurred to me. In order that music, the best way that it matches into that self-deprecating honesty, a number of it comes from a para-social facet. I got here from first being an influencer who performs covers.  Seeing how Awsten [Knight] interacts with different individuals within the scene and followers made me really feel like we’ve a crossover.”

This crossover represents why Noah feels Hopeless is his excellent house. Representing the label on the opposite aspect of the Atlantic after rising up with the bands on their roster plastered throughout his partitions reminds him of how necessary this neighborhood is on a worldwide scale.

“I really feel like Hopeless have all the time had an enormous household vibe,” he smiles. “This has all the time been the music that I like probably the most, so the truth that Hopeless have any curiosity in me is wonderful. I really feel like pop-punk in America is completely different, so I’m nonetheless so proud to have the ability to signify the UK sound.”


Although Hopeless are celebrating 30 years of sharing the scene with the world, that doesn’t imply they’re anyplace close to accomplished. That is an unbelievable means of summing up their achievements to this point, bringing the label’s previous, current and future collectively in excellent concord. However there are nonetheless new sounds to uncover, new concepts to convey to life, and new floor to be conquered. No person is prouder of what Hopeless has been capable of obtain than Louis himself, however he’s removed from accomplished. If he has discovered something over time, it’s that you’ve by no means discovered all of it. So, when celebrating 40, 50 and even 60 years of Hopeless Data, simply know they are going to be doing it in model once more.

“We are going to give you an thought over some ramen at lunchtime and say, ‘Let’s return to the workplace and try this”, he laughs. “And never all of these concepts work, however we are going to nonetheless attempt them. We truly be taught probably the most stuff from the issues that don’t!”

“Hopeless is all the time altering. There’s all the time new challenges and new issues to pursue and it by no means ends. There’s one thing scary about that but additionally one thing extremely thrilling. As a result of the scene isn’t going to remain the identical. It shouldn’t. That is all part of what we do, and regardless of how massive something will get or how a lot issues round us change, we are going to nonetheless be doing the identical factor we all the time have.”

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